莫斯科陷落

　　Sebastian pays tribute to a previous girlfriend, trying to produce the movie that she inspired him to write.  He enlists Natalia, an empathic producer and his right hand, to help produce the film for which they struggle to find funding.  Ultimately they decide to stage a play based on the script. Still hurting from his recent loss, Sebastian decides that he can’t start a new relationship. He goes in the opposite direction and takes irresponsible bachelorhood to the extreme. Success and fame open the door to encounters with all types of women who seem to fill the void that is becoming increasingly apparent in Sebastian’s life. Throughout this journey, Sebastian becomes even closer to Natalia.  She is his friend and partner but there is an undeniable romantic tension. Blinded by his career and newfound relevance, Sebastian loses touch with his romantic nature. After bottling up their feelings, during a night of drinking Sebastian and Natalia cross a line.  While Sebastian wonders if they made a mistake, Natalia feels ready for a relationship.

　　编剧尼尔·比斯瓦斯（Brad ford RIOTS）适应玛蒂娜的小说，跨越10年的英国社会政治变化。戴卓尔夫人的时代背景及其过渡到新生的劳动力，特别是有关该剧的主题理想化的新的开始；产生和导致幻灭感